Personally I think that technology and art (intellect and spirit, logic and abstract) belong together as they are both essences of human nature (or the human brain). Therefore, I try to connect these two domains that would otherwise be separate. I don't really know why our world is so divided into an intellectual-technical-logical part and this second spiritual-intuitive-abstract part. I try to find a more natural way to use a computer. Today's art uses them to make something easier for the artists and/or simply put some 'fireworks' into the piece. I rarely like the way of using new technologies in theater today. In my work, I oscillate around the theatrical domain of art. How would you introduce yourself to the Vuo community? Here's what Teo had to say when I interviewed him about the making of 'The Floor'.

'The Floor' was performed in Germany, while Teo himself is based in Wrocław, Poland. Drawing from his connections with many theaters and institutions, Teo put together a team for this production that included a musician, a stage designer, and a video artist. Teo described the performance as both a melodrama about love and, on a deeper level, a tale about money and consumption: 'that you have to fight for food in a world of prosperity'. Vuo plays a major role in this performance written and directed by Teo Dumski. By turns funny, poignant, and exuberant, the performance blends the human with the technological. The play 'The Floor: Shopping Rolls Camouflaged' is a foray into a surreal world of gravity-defying motion.

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